LIST FOUR MODERN FEMALE PLAYWRIGHTS AND AN EXAMPLE/TITLE OF THEIR WORK

147-150. PLEASE LIST: LIST FOUR MODERN FEMALE PLAYWRIGHTS AND AN EXAMPLE/TITLE OF THEIR WORK.

A

B

C

D

  • 151.TRUE OR FALSE/ 1929 WAS THE YEAR THAT WOMEN WON THE RIGHT TO VOTE
  • 152.WHAT LAW DID PRESIDENT JOHN F KENNEDY SIGN IN 1963 THAT HELPED LEVEL THE PLAYING FIELD FOR WOMEN? ________________________
    • 153-154.THE NAME OF THE FIRST APPROVED BIRTH CONTROL FOR WOMEN PILL WAS CALLED ________________ AND WAS RELEASED IN YEAR:________________

OF WOMEN IN THEATRE & FILM.

A equal rights

B. sexual liberation

C.

D.

OF URBAN THEATRE & FILM.

A.

B.

C.

D.

  • 163.TRUE OR FALSE / URBAN DRAMA WAS ORIGINALLY DESCRIBED AS HOOD FILMS.
  • 164.PLEASE DEFINE: DEFINE WHAT GENTRIFICTION IS.
    • 165-167.URBAN DRAMA IS ORIGINALLY A GENRE THAT DEALT WITH THE MIGRATION

OF_______________________ FROM THE ______________ TO THE _________________?

  • A. B. C.

A

B

C

D

175-180. PLEASE LIST FIVE THEMES THAT THE FILMAKERS OF THE FILM CRASH WERE LOOKING TO

EXPRESS FOR THEOR AUDIENCE(S)

A

B

C

D

E

180-185. PLEASE LIST FIVE THEMES THAT THE FILMAKERS OF THE FILM ZOOTOPIA WERE LOOKING TO

EXPRESS FOR THEOR AUDIENCE(S)

A

B

C

D

E

186-200 EXPLAIN ? WHAT WAS YOUR FAVORITE OR MOST INTERESTED TOPIC OF STUDY IN THIS COURSE AND WHY OR WHAT SIGNIFICANCE DID YOU DRAW FROM THE TOPIC/MODULE THAT RESONATED WITH YOU SO SPECIFICALLY?


OPTIONAL EXTRA CREDIT IS WORTH 2 PTS EACH.

UP TP SIX POINT TOTAOL FOR EXTRA CREDIT.

EXTRA CREDIT #1 – DEFINE TRIBALISM AS DISCUSSED .

EXTRA CREDIT #2 – DEFINE GENTRIFICATION AS DISCUSSED I

EXTRA CREDIT #3 – DEFINE APPROPRIATION AS DISCUSSED