Why Walter Gropius change the mission of Bauhaus During 1919-1926?

How does Walter Gropius shift the mission of the Bauhaus between 1919 and 1926?

What is the status of the arts and artists at the Bauhaus?

Why did Rodchenko, Stepanova, and their compatriots reject the title of artist and instead adopt “constructivist”?

Compare and contrast Andre Breton’s First Manifesto of Surrealism with the other “manifestos” that we have encountered in the class.

What does Breton hope to get out of exploring dreams? What role might art play in this?